A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina vii
... relation between form and content ; the main principles of form , such as balance , rhythm , and thematic variation ; and recurrent styles such as the Baroque , and formal types such as the sonnet or the fugue . Part Three discusses ...
... relation between form and content ; the main principles of form , such as balance , rhythm , and thematic variation ; and recurrent styles such as the Baroque , and formal types such as the sonnet or the fugue . Part Three discusses ...
Pagina 6
... relation of imagination to the real world . Every man , he believes , lives a kind of double life : an " actual life " determined by practical needs , and an “ imaginative life " of disinterested contemplation . In imaginative vision ...
... relation of imagination to the real world . Every man , he believes , lives a kind of double life : an " actual life " determined by practical needs , and an “ imaginative life " of disinterested contemplation . In imaginative vision ...
Pagina 246
... relation constituting a serial order has certain proper- ties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of the relation . A ...
... relation constituting a serial order has certain proper- ties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of the relation . A ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words