A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 122
... represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be passing ... represent so many rallying points on the stage adopted by different groups of characters , all belonging to one ...
... represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be passing ... represent so many rallying points on the stage adopted by different groups of characters , all belonging to one ...
Pagina 160
... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or theory ) and my experience ( life or practice ) .1 Therefore at the finish the world of art will be changed 1 ...
... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or theory ) and my experience ( life or practice ) .1 Therefore at the finish the world of art will be changed 1 ...
Pagina 458
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoy- ment . " For ...
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoy- ment . " For ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words