A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 363
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two funda- mental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is ...
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two funda- mental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is ...
Pagina 364
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
Pagina 366
... rhythm , as when we talk of the rhythm of life , but in such cases rhythm exists in combination with evolution . For there is , of course , a rhythm in all life - birth and death , sleep and waking , activity and repose . And if life be ...
... rhythm , as when we talk of the rhythm of life , but in such cases rhythm exists in combination with evolution . For there is , of course , a rhythm in all life - birth and death , sleep and waking , activity and repose . And if life be ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words