A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 71
... rience without physical transport and assembling . Emotion is the moving and cementing force . It selects what is congruous and dyes what is selected with its color , thereby giving qualitative unity to materials externally disparate ...
... rience without physical transport and assembling . Emotion is the moving and cementing force . It selects what is congruous and dyes what is selected with its color , thereby giving qualitative unity to materials externally disparate ...
Pagina 443
... rience , finds its satisfaction in the beauty of the organic , so the impulse of abstraction finds its beauty in the non- living inorganic , in the crystalline , or generally speaking in all abstract regularity and necessity . The ...
... rience , finds its satisfaction in the beauty of the organic , so the impulse of abstraction finds its beauty in the non- living inorganic , in the crystalline , or generally speaking in all abstract regularity and necessity . The ...
Pagina 507
... rience . They turn it into a practical situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants ...
... rience . They turn it into a practical situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words