A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 304
... scientific form of discourse has received the most careful and elaborate analysis of any of the forms of dis- course . Logicians have for the most part restricted their attention to the language of science ; such a work as the ...
... scientific form of discourse has received the most careful and elaborate analysis of any of the forms of dis- course . Logicians have for the most part restricted their attention to the language of science ; such a work as the ...
Pagina 310
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
Pagina 311
... scientific discourse . It may , further , concern i.self with the value of scientific and technological activity and their results . Its presentation of negative value might seem to endanger the work of the mor- alist , and indeed it ...
... scientific discourse . It may , further , concern i.self with the value of scientific and technological activity and their results . Its presentation of negative value might seem to endanger the work of the mor- alist , and indeed it ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words