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Pagina 304
The present position is that there are three primary forms of discourse (the
scientific, the esthetic, and the technological), and that all other forms are
secondary, that is, are a function of these primary forms.2 A brief characterization
of the three ...
The present position is that there are three primary forms of discourse (the
scientific, the esthetic, and the technological), and that all other forms are
secondary, that is, are a function of these primary forms.2 A brief characterization
of the three ...
Pagina 310
It is also desirable to know the consequences of proposed courses of action
under the conditions which have to be met, and scientific discourse favors such
accuracy in prediction. Technological discourse gives the stimulation to act upon
the ...
It is also desirable to know the consequences of proposed courses of action
under the conditions which have to be met, and scientific discourse favors such
accuracy in prediction. Technological discourse gives the stimulation to act upon
the ...
Pagina 311
It may, further, concern uself with the value of scientific and technological activity
and their results. Its presentation of negative value might seem to endanger the
work of the moralist, and indeed it does endanger encrusted moral customs.
It may, further, concern uself with the value of scientific and technological activity
and their results. Its presentation of negative value might seem to endanger the
work of the moralist, and indeed it does endanger encrusted moral customs.
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Indice
Reality and Imagination | 3 |
Having an Experience From An as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |