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Pagina 304
The present position is that there are three primary forms of discourse ( the
scientific , the esthetic , and the technological ) , and that all other forms are
secondary , that is , are a function of these primary forms . ” A brief
characterization of the ...
The present position is that there are three primary forms of discourse ( the
scientific , the esthetic , and the technological ) , and that all other forms are
secondary , that is , are a function of these primary forms . ” A brief
characterization of the ...
Pagina 310
Scientific discourse does not entice by the presentation of value nor seduce to
action by the advocacy of a technique ; it represents the subordination of interest
to the mapping of the structure of the existential . Yet it is clear that the direction of
...
Scientific discourse does not entice by the presentation of value nor seduce to
action by the advocacy of a technique ; it represents the subordination of interest
to the mapping of the structure of the existential . Yet it is clear that the direction of
...
Pagina 311
It may , further , concern i.self with the value of scientific and technological activity
and their results . Its presentation of negative value might seem to endanger the
work of the moralist , and indeed it does endanger encrusted moral customs .
It may , further , concern i.self with the value of scientific and technological activity
and their results . Its presentation of negative value might seem to endanger the
work of the moralist , and indeed it does endanger encrusted moral customs .
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |