A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 120
... seems as if an appeal had been made within us to certain ancestral memories belonging to a far - away past - memories so deep - seated and so foreign to our pres- ent life that this latter , for a moment , seems something un- real and ...
... seems as if an appeal had been made within us to certain ancestral memories belonging to a far - away past - memories so deep - seated and so foreign to our pres- ent life that this latter , for a moment , seems something un- real and ...
Pagina 240
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
Pagina 295
... seems suddenly to have failed , are the signs in consciousness of this nec- essary reorganization of our lives . Our attitudes and impulses are being compelled to become self - supporting ; My debt to The Waste Land here will be evident ...
... seems suddenly to have failed , are the signs in consciousness of this nec- essary reorganization of our lives . Our attitudes and impulses are being compelled to become self - supporting ; My debt to The Waste Land here will be evident ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words