Dall'interno del libro
Risultati 1-3 di 61
Pagina 240
mind , therefore it is an internal state , and its physical embodiment is something
secondary and incidental , and merely brought into being for the sake of
permanence and communication - this seems to me a profound error of principle ,
a false ...
mind , therefore it is an internal state , and its physical embodiment is something
secondary and incidental , and merely brought into being for the sake of
permanence and communication - this seems to me a profound error of principle ,
a false ...
Pagina 275
The so - called formalists , like Hanslick , seem wholly blind to the fact that form is
important in esthetic objects for the very reason that it itself , in contemplation , is
the source of ... But it seems to me that Gurney ' s charges go deeper than this .
The so - called formalists , like Hanslick , seem wholly blind to the fact that form is
important in esthetic objects for the very reason that it itself , in contemplation , is
the source of ... But it seems to me that Gurney ' s charges go deeper than this .
Pagina 295
The original footnote seems to have puzzled Mr . Eliot and some other readers .
Well it might ! In saying , though , that he “ had effected a complete severance
between his poetry and all beliefs ” I was referring not to the poet ' s own history ,
but ...
The original footnote seems to have puzzled Mr . Eliot and some other readers .
Well it might ! In saying , though , that he “ had effected a complete severance
between his poetry and all beliefs ” I was referring not to the poet ' s own history ,
but ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |