A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 9
... sensation novel , ” though she con- ceded that it lacked the startling realism and plausibility of Collins's The Woman in White ( 1859 ) ( " Sensation " 570 , 575 ; see also Mansel 488 ) . Among various definitions of sensation novels ...
... sensation novel , ” though she con- ceded that it lacked the startling realism and plausibility of Collins's The Woman in White ( 1859 ) ( " Sensation " 570 , 575 ; see also Mansel 488 ) . Among various definitions of sensation novels ...
Pagina 15
... sensation Fig . 10. Sensation localization can be used to determine if a constant stimulus may produce fluc- tuations in the sensation magnitude . ( From G. v . Békésy , 1967. ) It is a very similar type of sweeping movement like we ...
... sensation Fig . 10. Sensation localization can be used to determine if a constant stimulus may produce fluc- tuations in the sensation magnitude . ( From G. v . Békésy , 1967. ) It is a very similar type of sweeping movement like we ...
Pagina 48
... SENSATION Mary Elizabeth Braddon's Lady Audley's Secret was the first mainstream and most infamous sensation novel.3 The prototypical sensation novel is preoccupied with materialism , spectacle , and the rise of the working class - all ...
... SENSATION Mary Elizabeth Braddon's Lady Audley's Secret was the first mainstream and most infamous sensation novel.3 The prototypical sensation novel is preoccupied with materialism , spectacle , and the rise of the working class - all ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words