A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 18
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
Pagina 90
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in images . Halfway between the passivity of sensation and the ...
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in images . Halfway between the passivity of sensation and the ...
Pagina 221
... sensation to perception is gradual , and the path may be sometimes retraced : so it is with beauty and the pleasures of sensation . There is no sharp line between them , but it depends upon the degree of objectivity my feeling has ...
... sensation to perception is gradual , and the path may be sometimes retraced : so it is with beauty and the pleasures of sensation . There is no sharp line between them , but it depends upon the degree of objectivity my feeling has ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words