A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 55
... sensations will be troubled and perplexed , and the other quality will be variety , with- out which they will not be ... sensations we experience . And when we come to the higher works of art , where sensations are so arranged that they ...
... sensations will be troubled and perplexed , and the other quality will be variety , with- out which they will not be ... sensations we experience . And when we come to the higher works of art , where sensations are so arranged that they ...
Pagina 486
... sensation which the one experiences when he looks there , is the same quality as that experienced by the other . It is quite conceivable , for instance , that all my sound sensations in response to given stimuli should be pitched one ...
... sensation which the one experiences when he looks there , is the same quality as that experienced by the other . It is quite conceivable , for instance , that all my sound sensations in response to given stimuli should be pitched one ...
Pagina 514
... sensations . There is no very good reason why he should not have included the external sensations also when these are present . Actually , in any emotional reaction there is no clear separation of visual , auditory , or tactile ...
... sensations . There is no very good reason why he should not have included the external sensations also when these are present . Actually , in any emotional reaction there is no clear separation of visual , auditory , or tactile ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words