A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 80
... sense of things in per- ception as belonging together or as jarring ; as reënforcing or as interfering . The consequences of the act of making as reported in sense show whether what is done carries forward the idea being executed or ...
... sense of things in per- ception as belonging together or as jarring ; as reënforcing or as interfering . The consequences of the act of making as reported in sense show whether what is done carries forward the idea being executed or ...
Pagina 351
... sense of the distance of the shore and the longing of the souls . And it does so partly because this picture and this sense are conveyed not only by the obvious meaning of the words , but through the long - drawn sound of " tendebantque ...
... sense of the distance of the shore and the longing of the souls . And it does so partly because this picture and this sense are conveyed not only by the obvious meaning of the words , but through the long - drawn sound of " tendebantque ...
Pagina 428
... sense of " concrete " or " individual- ized , " that it is usually opposed to " typical . " On the other hand , " typical , " in the sense of " abstract , " is as diametri- cally opposed to the whole nature of Art , as individualism is ...
... sense of " concrete " or " individual- ized , " that it is usually opposed to " typical . " On the other hand , " typical , " in the sense of " abstract , " is as diametri- cally opposed to the whole nature of Art , as individualism is ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words