A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 229
... sensuous materials , viewed apart from representation or connotation . These may be subdivided . into ( 1 ) the properties of the medium , such as the peculiar tonality of a violin , and ( 2 ) the abstract sensuous elements not peculiar ...
... sensuous materials , viewed apart from representation or connotation . These may be subdivided . into ( 1 ) the properties of the medium , such as the peculiar tonality of a violin , and ( 2 ) the abstract sensuous elements not peculiar ...
Pagina 230
... sensuous materials ( a ) Properties of the medium ( b ) Abstract sensuous elements 2. Referential materials ( a ) Representations ( b ) Connotations Form - the organization of these materials - yielding a unity of embodied meaning ...
... sensuous materials ( a ) Properties of the medium ( b ) Abstract sensuous elements 2. Referential materials ( a ) Representations ( b ) Connotations Form - the organization of these materials - yielding a unity of embodied meaning ...
Pagina 232
... sensuous surface and form . " It is characteristic of esthetic apprehension , " he declares , “ that the surface fully presented to sense is the total object of apprehension . . . . As we leave this surface in our atten- tion , to go ...
... sensuous surface and form . " It is characteristic of esthetic apprehension , " he declares , “ that the surface fully presented to sense is the total object of apprehension . . . . As we leave this surface in our atten- tion , to go ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words