A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 22
... shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for exam- ple , that ice " forms " over a pond , or that dewdrops " form " on the twig of a tree . Then " form " does ...
... shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for exam- ple , that ice " forms " over a pond , or that dewdrops " form " on the twig of a tree . Then " form " does ...
Pagina 359
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
Pagina 461
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words