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Pagina 22
In this sense the word “ form ” means something like “ shape ” ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for example , that ice “ forms ” over a pond , or that dewdrops ...
In this sense the word “ form ” means something like “ shape ” ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for example , that ice “ forms ” over a pond , or that dewdrops ...
Pagina 359
In every complex work of art there is some one ( or there may be several ) preëminent shape , color , line , melodic ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
In every complex work of art there is some one ( or there may be several ) preëminent shape , color , line , melodic ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
Pagina 461
But , as the Reader will remember also , when we are engrossed by something outside ourselves , as we are engrossed in looking at the shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking ...
But , as the Reader will remember also , when we are engrossed by something outside ourselves , as we are engrossed in looking at the shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking ...
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Sommario
Reality and Imagination | 3 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |