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Pagina 22
In this sense the word "form" means something like "shape"; it means that we give
shape to a number of people for a particular purpose. But we go further and say,
for example, that ice "forms" over a pond, or that dewdrops "form" on the twig of ...
In this sense the word "form" means something like "shape"; it means that we give
shape to a number of people for a particular purpose. But we go further and say,
for example, that ice "forms" over a pond, or that dewdrops "form" on the twig of ...
Pagina 359
First among them is what I would call the principle of the theme. This corresponds
to the "dominant character" or idee mere of Taine.8 In every complex work of art
there is some one (or there may be several) preeminent shape, color, line, ...
First among them is what I would call the principle of the theme. This corresponds
to the "dominant character" or idee mere of Taine.8 In every complex work of art
there is some one (or there may be several) preeminent shape, color, line, ...
Pagina 461
But, as the Reader will remember also, when we are engrossed by something
outside ourselves, as we are engrossed in looking at the shape (for we can look
at only the shape, not the substance) of that mountain we cease thinking about ...
But, as the Reader will remember also, when we are engrossed by something
outside ourselves, as we are engrossed in looking at the shape (for we can look
at only the shape, not the substance) of that mountain we cease thinking about ...
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Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |