A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 313
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical hypothesis " remains ex- tremely vague . Perhaps we may interpret it as analogous to Herbert Read's doctrine of the imitation of nature's ...
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical hypothesis " remains ex- tremely vague . Perhaps we may interpret it as analogous to Herbert Read's doctrine of the imitation of nature's ...
Pagina 324
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
Pagina 333
... significance as an end in itself ? · But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means to practical ends or as a thing related to ...
... significance as an end in itself ? · But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means to practical ends or as a thing related to ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words