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Pagina 21
That is quite a simple. 1 I have omitted a brief introductory section and certain
other parts of Read ' s chapter and have renumbered the section headings and
the notes . ( Editor . ) Color Properly speaking , form cannot be perceived except
as.
That is quite a simple. 1 I have omitted a brief introductory section and certain
other parts of Read ' s chapter and have renumbered the section headings and
the notes . ( Editor . ) Color Properly speaking , form cannot be perceived except
as.
Pagina 32
Actually , in a work of art , we are rarely concerned with a simple reaction to a
single color , though it has been demonstrated that the apprehension or
appreciation of a single color may be esthetic . But more generally we are
concerned with ...
Actually , in a work of art , we are rarely concerned with a simple reaction to a
single color , though it has been demonstrated that the apprehension or
appreciation of a single color may be esthetic . But more generally we are
concerned with ...
Pagina 462
I am sorry that the matter is by no means so simple ! If what we attributed to each
single shape was only the precise action which we happen to be accomplishing
in the process of looking at it , Empathy would indeed be a simple business , but
...
I am sorry that the matter is by no means so simple ! If what we attributed to each
single shape was only the precise action which we happen to be accomplishing
in the process of looking at it , Empathy would indeed be a simple business , but
...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |