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Pagina 21
... no simple answer to our question : What is art ? But we can say , to begin with , that common to all works of art is something 1 I have omitted a brief introductory section and certain other parts Read's chapter and have renumbered ...
... no simple answer to our question : What is art ? But we can say , to begin with , that common to all works of art is something 1 I have omitted a brief introductory section and certain other parts Read's chapter and have renumbered ...
Pagina 32
Actually , in a work of art , we are rarely concerned with a simple reaction to a single color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are ...
Actually , in a work of art , we are rarely concerned with a simple reaction to a single color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are ...
Pagina 462
I am sorry that the matter is by no means so simple ! If what we attributed to each single shape was only the precise action which we happen to be accomplishing in the process of looking at it , Empathy would indeed be a simple business ...
I am sorry that the matter is by no means so simple ! If what we attributed to each single shape was only the precise action which we happen to be accomplishing in the process of looking at it , Empathy would indeed be a simple business ...
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Sommario
Reality and Imagination | 3 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |