A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 507
... situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants to get at the particular force of ...
... situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants to get at the particular force of ...
Pagina 509
... situation , and , where vivid realization fails , beauty is absent . What we call ugli- ness , on this view , is a drab or painful situation calling for practical action , which we deplore because we feel morally that it ought to be ...
... situation , and , where vivid realization fails , beauty is absent . What we call ugli- ness , on this view , is a drab or painful situation calling for practical action , which we deplore because we feel morally that it ought to be ...
Pagina 512
... situation or event is a unity with details . If we intuit the unity of it , as we did in the original reading , we ... situation . It appears further that the two columns are correlative to each other . There is no such thing as a ...
... situation or event is a unity with details . If we intuit the unity of it , as we did in the original reading , we ... situation . It appears further that the two columns are correlative to each other . There is no such thing as a ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words