A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 160
... social world of poetry . Therefore I desire what is called self - expression but is really self - socialization , the casting of my private experience in such a form that it will be incorporated in the social world of art and appear as ...
... social world of poetry . Therefore I desire what is called self - expression but is really self - socialization , the casting of my private experience in such a form that it will be incorporated in the social world of art and appear as ...
Pagina 162
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social relations of that age . For the experience of men in general is determined in general by the social relations ...
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social relations of that age . For the experience of men in general is determined in general by the social relations ...
Pagina 525
... social philosopher , shares this concern ; but he hopes for a higher union of art and machine - technology . In his Technics and Civilization , he divides " the development of the machine and the machine civilization into three suc ...
... social philosopher , shares this concern ; but he hopes for a higher union of art and machine - technology . In his Technics and Civilization , he divides " the development of the machine and the machine civilization into three suc ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words