A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 17
... soul by the use of imitation or by producing through the medium of certain sensible symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things ...
... soul by the use of imitation or by producing through the medium of certain sensible symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things ...
Pagina 107
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
Pagina 116
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet seen . It would excel alike in every art at the same time ; or ...
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet seen . It would excel alike in every art at the same time ; or ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words