A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 253
... spatial or temporal ex- tension of their elements in order to be concretely present to an organism , but also that the spatial and temporal aspects of the concrete content are themselves structural . Like pitch , time , whatever else it ...
... spatial or temporal ex- tension of their elements in order to be concretely present to an organism , but also that the spatial and temporal aspects of the concrete content are themselves structural . Like pitch , time , whatever else it ...
Pagina 254
... spatial and temporal ele- ments and forms . Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to ...
... spatial and temporal ele- ments and forms . Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to ...
Pagina 256
... spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied and hence as involving qualitative ...
... spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied and hence as involving qualitative ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words