A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 9
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
Pagina 105
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
Pagina 348
... speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your experience is not a combination of them , as ideas , on the one side , with certain sounds on the other ; it is an ...
... speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your experience is not a combination of them , as ideas , on the one side , with certain sounds on the other ; it is an ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words