A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 270
... spiritual context , we need not resist this impulse on theoretical grounds . We need not suppose that we are the victims of a literary culture and 29 Sullivan , Beethoven ; His Spiritual Development , p . 34 . an imperfectly developed ...
... spiritual context , we need not resist this impulse on theoretical grounds . We need not suppose that we are the victims of a literary culture and 29 Sullivan , Beethoven ; His Spiritual Development , p . 34 . an imperfectly developed ...
Pagina 271
... spiritual experiences and as springing from a spiritual context is still music . It must satisfy the musical faculty ; it must obey all the criteria that " pure " music obeys . But the musical experiences it communi- cates are less ...
... spiritual experiences and as springing from a spiritual context is still music . It must satisfy the musical faculty ; it must obey all the criteria that " pure " music obeys . But the musical experiences it communi- cates are less ...
Pagina 272
... spiritual resources . It is chiefly a difference of " spiritual context . ” This spiritual context should not be confused with " program . " Sullivan is as much opposed to " programs ” for music as the purists are . Nor does Sullivan ...
... spiritual resources . It is chiefly a difference of " spiritual context . ” This spiritual context should not be confused with " program . " Sullivan is as much opposed to " programs ” for music as the purists are . Nor does Sullivan ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words