A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 467
... standards of critical judg- ment , but believes that each standard may be applied with a fair degree of objectivity . A significant standard does not reflect mere personal taste , but springs from a com- prehensive orientation toward ...
... standards of critical judg- ment , but believes that each standard may be applied with a fair degree of objectivity . A significant standard does not reflect mere personal taste , but springs from a com- prehensive orientation toward ...
Pagina 468
... standard is related to the criterion of organic unity which Pepper attributes to organicism . 3. Truth ( Greene ) . To what extent does the work of art reveal the true qualities and values of human existence ? This is akin to the standard ...
... standard is related to the criterion of organic unity which Pepper attributes to organicism . 3. Truth ( Greene ) . To what extent does the work of art reveal the true qualities and values of human existence ? This is akin to the standard ...
Pagina 488
... standard . The account of standards of criti- cism of works of art and other esthetic objects given up to this point has remained throughout essentially independent of the notion of beauty . But the endeavor persistently through the ...
... standard . The account of standards of criti- cism of works of art and other esthetic objects given up to this point has remained throughout essentially independent of the notion of beauty . But the endeavor persistently through the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words