A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 28
... structure : the bridge and the bone possess the same fitness , the same appropriateness . We might venture the ... structure of what they imitate . The examples I shall take are of two kinds : they are either unconscious , that is to say ...
... structure : the bridge and the bone possess the same fitness , the same appropriateness . We might venture the ... structure of what they imitate . The examples I shall take are of two kinds : they are either unconscious , that is to say ...
Pagina 30
... structure of the tower rises in the same proportion as the intervals between the nodules in a shoot of bamboo or rush . These are examples taken at random , and I confess that I have not had them measured by a mathematician and found ...
... structure of the tower rises in the same proportion as the intervals between the nodules in a shoot of bamboo or rush . These are examples taken at random , and I confess that I have not had them measured by a mathematician and found ...
Pagina 253
... structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored ... structure and the orders intrinsic to space and time are as essential to concrete esthetic surface as what we usually call ...
... structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored ... structure and the orders intrinsic to space and time are as essential to concrete esthetic surface as what we usually call ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words