A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 349
... style and versification . There is no such thing as mere form in poetry . All form is expression . Style may have indeed a certain esthetic worth in partial abstraction from the particular matter it conveys , as in a well - built ...
... style and versification . There is no such thing as mere form in poetry . All form is expression . Style may have indeed a certain esthetic worth in partial abstraction from the particular matter it conveys , as in a well - built ...
Pagina 454
... style has mostly been peculiar to peoples at a time when they remained at a relatively lower state of civilization . " If we consider this proposition , which indeed minimizes the rôle which geometric style has played with peoples of ...
... style has mostly been peculiar to peoples at a time when they remained at a relatively lower state of civilization . " If we consider this proposition , which indeed minimizes the rôle which geometric style has played with peoples of ...
Pagina 477
... style as well as the Flemish variant of the seventeenth century Baroque . Hence , when we say that a work of art is " in " this or that style , the term " style " signifies a complex , his- torically determinate , generic character ...
... style as well as the Flemish variant of the seventeenth century Baroque . Hence , when we say that a work of art is " in " this or that style , the term " style " signifies a complex , his- torically determinate , generic character ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words