A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 149
... ego , Freud says that we can hardly go wrong if we regard it as " that part of the id which has been modified by its proximity to the external world and the influence that the ... Super - Ego The super - ego is perhaps HERBERT READ 149.
... ego , Freud says that we can hardly go wrong if we regard it as " that part of the id which has been modified by its proximity to the external world and the influence that the ... Super - Ego The super - ego is perhaps HERBERT READ 149.
Pagina 150
An Anthology Melvin Miller Rader. The Super - Ego The super - ego is perhaps more simply described . To this part of the individual's mental life Freud assigns the activities of self - observation , conscience and the holding - up of ...
An Anthology Melvin Miller Rader. The Super - Ego The super - ego is perhaps more simply described . To this part of the individual's mental life Freud assigns the activities of self - observation , conscience and the holding - up of ...
Pagina 151
... super - ego or of conscience . It is only later that the secondary situation arises , which we are far too ready to regard as the normal state of affairs ; the external restric- tions are intrajected , so that the super - ego takes the ...
... super - ego or of conscience . It is only later that the secondary situation arises , which we are far too ready to regard as the normal state of affairs ; the external restric- tions are intrajected , so that the super - ego takes the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words