A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 17
... symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things outside . us , Music imitates with sound and rhythms - and Dancing with rhythm alone ...
... symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things outside . us , Music imitates with sound and rhythms - and Dancing with rhythm alone ...
Pagina 168
... symbol - both to poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist ... symbols . We can now understand more clearly why poetry re- sembles dream in its technique . The characteristic of ...
... symbol - both to poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist ... symbols . We can now understand more clearly why poetry re- sembles dream in its technique . The characteristic of ...
Pagina 169
... symbol is associated with memories in our life , not by association of ideas but by affective associations . The ... symbols of a consistent mock world in which we first orientate ourselves . Hence the inconse- quence of dream ...
... symbol is associated with memories in our life , not by association of ideas but by affective associations . The ... symbols of a consistent mock world in which we first orientate ourselves . Hence the inconse- quence of dream ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words