A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 467
... taste is subjective and relative . As he states elsewhere : " When the values concerned are not instrumental values but immediate values - whether of odors , of tastes , of sounds , of plastic qualities , or of facial expressions - then ...
... taste is subjective and relative . As he states elsewhere : " When the values concerned are not instrumental values but immediate values - whether of odors , of tastes , of sounds , of plastic qualities , or of facial expressions - then ...
Pagina 490
... taste , and bad taste . But good taste , I submit , means either my taste , or the taste of people who are to my taste , or the taste of people to whose taste I want to be . There is no objective test of the good- ness or badness of taste ...
... taste , and bad taste . But good taste , I submit , means either my taste , or the taste of people who are to my taste , or the taste of people to whose taste I want to be . There is no objective test of the good- ness or badness of taste ...
Pagina 502
... taste be possessed by one person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is - and ...
... taste be possessed by one person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is - and ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words