A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 3
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of “ imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of “ imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
Pagina 127
... theory might be called hedonistic voluntarism . Freud's esthetic doctrines are primarily related to two earlier theories , the play theory of Schiller and Lange , and the voluntaristic theory of Schopenhauer and Nietzsche . I shall ...
... theory might be called hedonistic voluntarism . Freud's esthetic doctrines are primarily related to two earlier theories , the play theory of Schiller and Lange , and the voluntaristic theory of Schopenhauer and Nietzsche . I shall ...
Pagina 579
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , “ Bergson's Theory ...
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , “ Bergson's Theory ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words