A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 8
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what ...
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what ...
Pagina 241
... things , and are thought and imagined by us as qualities and properties of the things . Especially we see this in music . Here we have an art entirely made up of a material - musical tone - which one may say does not exist at all in the ...
... things , and are thought and imagined by us as qualities and properties of the things . Especially we see this in music . Here we have an art entirely made up of a material - musical tone - which one may say does not exist at all in the ...
Pagina 333
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance . . . . And if a more or less uncon- scious apprehension of this latent reality of material ...
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance . . . . And if a more or less uncon- scious apprehension of this latent reality of material ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words