A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 75
... thought . The difference between the pictures of different painters is due quite as much to differences of capacity to carry on this thought as it is to differences of sensitivity to bare color and to differences in dexterity of ...
... thought . The difference between the pictures of different painters is due quite as much to differences of capacity to carry on this thought as it is to differences of sensitivity to bare color and to differences in dexterity of ...
Pagina 218
... thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior to the artifice of thought ...
... thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior to the artifice of thought ...
Pagina 461
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
... thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words