A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 101
... tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and false always concerns an ...
... tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and false always concerns an ...
Pagina 347
... tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or versification , is both ...
... tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or versification , is both ...
Pagina 502
... tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard . That question , indeed , is hardly ever ...
... tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard . That question , indeed , is hardly ever ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words