A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 422
... tragedy . It has always - except in highly distanced tragedy -been a popular objection to it that " there is enough sad- ness in life without going to the theater for it . " Already Aristotle appears to have met with this view among his ...
... tragedy . It has always - except in highly distanced tragedy -been a popular objection to it that " there is enough sad- ness in life without going to the theater for it . " Already Aristotle appears to have met with this view among his ...
Pagina 423
... tragedy is another such confusion , the under - distancing of tragedy's appeal . Tragedy trembles always on the knife- edge of a personal reaction , and sympathy which finds re- lief in tears tends almost always towards a loss of ...
... tragedy is another such confusion , the under - distancing of tragedy's appeal . Tragedy trembles always on the knife- edge of a personal reaction , and sympathy which finds re- lief in tears tends almost always towards a loss of ...
Pagina 517
... tragedy in art . Most of what we have taken to be our greatest art is out- right tragedy or contains tragic portions . To a hedonist this is a mystery . Why in the temple of pleasure do we set up a god of sorrow ? A contextualist ...
... tragedy in art . Most of what we have taken to be our greatest art is out- right tragedy or contains tragic portions . To a hedonist this is a mystery . Why in the temple of pleasure do we set up a god of sorrow ? A contextualist ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words