A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 101
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
Pagina 292
... true and false alike do of course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not ...
... true and false alike do of course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not ...
Pagina 540
... true that in their fresh and glorious days , when they are in the heyday of their faith and enthusiasm , they are thwarted at every turn by Commercial War , with its sneering question " Will it pay ? " Is it not true that when they ...
... true that in their fresh and glorious days , when they are in the heyday of their faith and enthusiasm , they are thwarted at every turn by Commercial War , with its sneering question " Will it pay ? " Is it not true that when they ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words