A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxviii
... truth " so conceived . But if by " truth " we mean an appreciation socially com- municable , art does indeed contain truths . The " truth " crudely expressed in the hobo song is also social ; it has been felt by many hoboes ; it appeals ...
... truth " so conceived . But if by " truth " we mean an appreciation socially com- municable , art does indeed contain truths . The " truth " crudely expressed in the hobo song is also social ; it has been felt by many hoboes ; it appeals ...
Pagina 18
... truth ; in that sense the great phrase of the Platonists , splendor veri , abides for ever . But if the joy produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of ...
... truth ; in that sense the great phrase of the Platonists , splendor veri , abides for ever . But if the joy produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of ...
Pagina 199
... Truth and realism are there- fore esthetically good , but they are not all - sufficient , since the representation ... truth in science and in art . Science is the response to the demand for information , and in it we ask for the whole ...
... Truth and realism are there- fore esthetically good , but they are not all - sufficient , since the representation ... truth in science and in art . Science is the response to the demand for information , and in it we ask for the whole ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words