A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 157
... turning - away from immediate environment — that could be secured by sitting in a quiet study , without dis- turbance ... turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
... turning - away from immediate environment — that could be secured by sitting in a quiet study , without dis- turbance ... turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
Pagina 474
... turn , can be no more than idle , self - indulgent play if the artistic quality and the truth and significance of art are ig- nored . Even the esthete , who deprecates the categories of artistic truth and greatness , is , at his best ...
... turn , can be no more than idle , self - indulgent play if the artistic quality and the truth and significance of art are ig- nored . Even the esthete , who deprecates the categories of artistic truth and greatness , is , at his best ...
Pagina 504
... turn out to be sensations and images stimulated by the external object or associated with it . The human body and the boundaries of the body are accord- ingly prominent features in this type of criticism , for the values are conceived ...
... turn out to be sensations and images stimulated by the external object or associated with it . The human body and the boundaries of the body are accord- ingly prominent features in this type of criticism , for the values are conceived ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words