A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 372
... patterns of El Greco ; the dense , weighty , color rhythms of the later Titian , are repeated by these artists in different pictures with endless modifications . Similar type patterns are used by creators in the other arts . A person ...
... patterns of El Greco ; the dense , weighty , color rhythms of the later Titian , are repeated by these artists in different pictures with endless modifications . Similar type patterns are used by creators in the other arts . A person ...
Pagina 374
... type pattern or in the difference of strength of their individual type patterns than in any other formal difference ... type patterns as tools of clarification and correlation of individual designs . A type pattern , such as a sonata or ...
... type pattern or in the difference of strength of their individual type patterns than in any other formal difference ... type patterns as tools of clarification and correlation of individual designs . A type pattern , such as a sonata or ...
Pagina 377
... type patterns can be a means to quick commercial success but also to quick artistic death or to low - grade creative performance . Nor are individual type patterns free of disadvantages and perils for the creative artist . A painter ...
... type patterns can be a means to quick commercial success but also to quick artistic death or to low - grade creative performance . Nor are individual type patterns free of disadvantages and perils for the creative artist . A painter ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words