A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 56
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
Pagina 57
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
Pagina 71
... unity to materials externally disparate and dissimilar . It thus provides unity in and through the varied parts of an experience . When the unity is of the sort already described , the experience has esthetic character even though it is ...
... unity to materials externally disparate and dissimilar . It thus provides unity in and through the varied parts of an experience . When the unity is of the sort already described , the experience has esthetic character even though it is ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words