A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 56
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
Pagina 57
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
Pagina 71
... unity to materials externally disparate and dissimilar . It thus provides unity in and through the varied parts of an experience . When the unity is of the sort already described , the experience has esthetic character even though it is ...
... unity to materials externally disparate and dissimilar . It thus provides unity in and through the varied parts of an experience . When the unity is of the sort already described , the experience has esthetic character even though it is ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole