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Risultati 1-3 di 38
Pagina 59
tions which accompany muscular activity ; mass to all the infinite adaptations to
the force of gravity which we are forced to make ; the spatial judgment is equally
profound and universal in its application to life ; our feeling about inclined planes
...
tions which accompany muscular activity ; mass to all the infinite adaptations to
the force of gravity which we are forced to make ; the spatial judgment is equally
profound and universal in its application to life ; our feeling about inclined planes
...
Pagina 101
It is useless to object that the individuality of the image cannot subsist without
reference to the universal , of which that image is the individuation , because we
do not here deny that the universal , as the spirit of God , is everywhere and ...
It is useless to object that the individuality of the image cannot subsist without
reference to the universal , of which that image is the individuation , because we
do not here deny that the universal , as the spirit of God , is everywhere and ...
Pagina 602
Smith , Adam , 567 types , of art , 35-36 , 40 ; of personsocial , art as ( see also
contextual ality , 35-36 ; of designs , 371-378 ism ) , xv - xix , xxii - xxvi , 141 , 146
typical , see universal 147 , 154-155 , 160-167 , 176-179 , 189-190 , 523-571 ...
Smith , Adam , 567 types , of art , 35-36 , 40 ; of personsocial , art as ( see also
contextual ality , 35-36 ; of designs , 371-378 ism ) , xv - xix , xxii - xxvi , 141 , 146
typical , see universal 147 , 154-155 , 160-167 , 176-179 , 189-190 , 523-571 ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole