A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 249
... variation in sound . For these are equally conditions , though less strikingly characteristic conditions , of musical structure . The relation louder - than , with its converse , softer - than , is a relation establishing for all sounds ...
... variation in sound . For these are equally conditions , though less strikingly characteristic conditions , of musical structure . The relation louder - than , with its converse , softer - than , is a relation establishing for all sounds ...
Pagina 250
... variations for hues at all degrees of lightness and darkness from maximum saturation to the neutral grays . This gives us three convenient main dimensions of color variation , all compactly illustrated in the familiar diagram of a ...
... variations for hues at all degrees of lightness and darkness from maximum saturation to the neutral grays . This gives us three convenient main dimensions of color variation , all compactly illustrated in the familiar diagram of a ...
Pagina 367
... variation . This form , too , might seem at first sight to be opposed to evolution , yet not so , for there is probably no case of variation in which the evolutionary element is not present . For the series of variations is not ...
... variation . This form , too , might seem at first sight to be opposed to evolution , yet not so , for there is probably no case of variation in which the evolutionary element is not present . For the series of variations is not ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words