A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 51
... vision abstracted from necessity . Now this specialization of vision goes so far that ordinary people have almost no idea of what things really look like , so that oddly enough the one standard that popular criticism applies to painting ...
... vision abstracted from necessity . Now this specialization of vision goes so far that ordinary people have almost no idea of what things really look like , so that oddly enough the one standard that popular criticism applies to painting ...
Pagina 430
... vision goes right through the glass to be fixed upon the flowers and the foliage . Since the goal of vision is the garden , whereupon the visual ray is cast , our glance will penetrate through the glass without stopping to perceive it ...
... vision goes right through the glass to be fixed upon the flowers and the foliage . Since the goal of vision is the garden , whereupon the visual ray is cast , our glance will penetrate through the glass without stopping to perceive it ...
Pagina 576
... Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , ” Scien- tific Monthly , Vol . 62 ( 1946 ) , pp . 477-499 . Gotshalk , D. W. , Art and the Social Order ...
... Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , ” Scien- tific Monthly , Vol . 62 ( 1946 ) , pp . 477-499 . Gotshalk , D. W. , Art and the Social Order ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words