A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 32
... visual work of art . But again there is probably a physical explanation , as there is in the case of music . Just as from a scale of tones you can , in accordance with certain laws of tonality , produce either harmony or discord of ...
... visual work of art . But again there is probably a physical explanation , as there is in the case of music . Just as from a scale of tones you can , in accordance with certain laws of tonality , produce either harmony or discord of ...
Pagina 312
... visual arts , has been formulated by the English critic , CLIVE BELL ( 1881- ) , many of whose ideas , incidentally , are shared by Roger Fry.1 Bell agrees with Tolstoy that art is the language of emo- tions , but he thinks that there ...
... visual arts , has been formulated by the English critic , CLIVE BELL ( 1881- ) , many of whose ideas , incidentally , are shared by Roger Fry.1 Bell agrees with Tolstoy that art is the language of emo- tions , but he thinks that there ...
Pagina 313
... visual arts . He indicates that his doctrine is applicable to music , and indeed he finds in the abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his ...
... visual arts . He indicates that his doctrine is applicable to music , and indeed he finds in the abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words