A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 235
... whole principle of esthetic expressiveness . · We should begin , I am convinced , from the very sim- plest facts ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
... whole principle of esthetic expressiveness . · We should begin , I am convinced , from the very sim- plest facts ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
Pagina 237
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
Pagina 513
... whole and may end by destroying the esthetic whole . Contextualistic Theory of Perception [ University of California Press . 1942 ) , pp . 120-121 . ) The second exception is of an opposite nature , where through habit vividness is ...
... whole and may end by destroying the esthetic whole . Contextualistic Theory of Perception [ University of California Press . 1942 ) , pp . 120-121 . ) The second exception is of an opposite nature , where through habit vividness is ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words