A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 159
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute " can mean a foolish ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute " can mean a foolish ...
Pagina 171
... word like " spring " there are hundreds of them ; of green- ness , of youth , of fountains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of different ...
... word like " spring " there are hundreds of them ; of green- ness , of youth , of fountains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of different ...
Pagina 274
... word " joy " which we use to cover an indefinitely large number of different shades of feeling , all of which are most in- adequately represented by the word " joy " ; the word suffices merely as a very rough classification . Thus , to ...
... word " joy " which we use to cover an indefinitely large number of different shades of feeling , all of which are most in- adequately represented by the word " joy " ; the word suffices merely as a very rough classification . Thus , to ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words