A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 159
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute " can mean a foolish ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute " can mean a foolish ...
Pagina 171
... words contain the emotional content " in themselves " and not in the things they symbolized ? Dream analysis gives ... words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry ...
... words contain the emotional content " in themselves " and not in the things they symbolized ? Dream analysis gives ... words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry ...
Pagina 272
... words to describe musical experiences ; words are not equal to this task . For , while music is not isolated , it is unique , and what it means to us is quite incapable of being stated in words or in any other medium than just the music ...
... words to describe musical experiences ; words are not equal to this task . For , while music is not isolated , it is unique , and what it means to us is quite incapable of being stated in words or in any other medium than just the music ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words