A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina iv
... Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as ... World , by Alfred North Whitehead , 1925 . Hogarth Press : " The Relation of ... World's Classics " series of Tolstoy's works . The translation is by Aylmer Maude ...
... Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as ... World , by Alfred North Whitehead , 1925 . Hogarth Press : " The Relation of ... World's Classics " series of Tolstoy's works . The translation is by Aylmer Maude ...
Pagina 91
... vision is a lyrical content , the pervasive expression of " feeling ... world desired or abhorred , or partly desired and partly abhorred . If he ... vision in itself , and by its own standard of beauty . Intuition , so interpreted , is ...
... vision is a lyrical content , the pervasive expression of " feeling ... world desired or abhorred , or partly desired and partly abhorred . If he ... vision in itself , and by its own standard of beauty . Intuition , so interpreted , is ...
Pagina 596
... World , New York , 1926 , Chs . 5 , 13 . Wingert , Paul S. , " The Cultural Motivations of an Artist , ” College Art ... Vision , New York , 1947 . Vision in Motion , Chicago , 1947 . Moholy - Nagy , Sibyl , Moholy - Nagy : Experiment in ...
... World , New York , 1926 , Chs . 5 , 13 . Wingert , Paul S. , " The Cultural Motivations of an Artist , ” College Art ... Vision , New York , 1947 . Vision in Motion , Chicago , 1947 . Moholy - Nagy , Sibyl , Moholy - Nagy : Experiment in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words