A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 185
... symbols or even types , form the cur- rent coin of our daily perception . How , then , does a mis- understanding on this point arise ? The reason lies in the fact that two very different things have been mistaken for each other : the ...
... symbols or even types , form the cur- rent coin of our daily perception . How , then , does a mis- understanding on this point arise ? The reason lies in the fact that two very different things have been mistaken for each other : the ...
Pagina 387
... symbols expressive of the genius of the culture . An absence of traditions , or a search for them , means not health , but decadence . It goes along with mere naturalism and repetition . what ? Spengler has a second doctrine of interest ...
... symbols expressive of the genius of the culture . An absence of traditions , or a search for them , means not health , but decadence . It goes along with mere naturalism and repetition . what ? Spengler has a second doctrine of interest ...
Pagina 414
... symbol . In the same direction Marcel Duchamp , for example , who was one of the leaders of this movement , made a ... symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic func ...
... symbol . In the same direction Marcel Duchamp , for example , who was one of the leaders of this movement , made a ... symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic func ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words